Quincy Icon: From IT student to turning songs into viral moves

My name is Quinta Njoroge, but most people know me as Quincy Icon. I am a dancer, choreographer, and the founder of The Force Ke, a dance collective based in Nairobi. Our mission is to redefine dance standards in Kenya, both in terms of performance and presentation. We pride ourselves on creating unique moves, delivering polished productions, and packaging ourselves as professionals. We also hold auditions to bring new talent into the fold, ensuring the group remains dynamic and fresh. I was born and raised in Nairobi

I attended Zetech University in Nairobi, where I pursued a degree in Information Technology.

(Laughs) Honestly, I can’t recall.

Not exactly. At the moment, I am not practising IT, although that is what I studied. My career has taken me in a different direction, but I still have an interest in technology and may revisit it in the future. 

Campus life was an eye-opener. It was a period of growth, independence, and self-discovery. It taught me valuable life skills beyond the classroom, lessons that still shape how I approach life today.

Yes, several friends made my university journey worthwhile. Their support and companionship turned those years into something memorable.

I began dancing back in high school. A friend introduced me, and to be honest, I was terrible at first. It started out as a distraction, something to pass the time. But after finishing school, I discovered a genuine love for dance. I joined a team, attended regular rehearsals, and before long, we started getting booked for weddings and events. Slowly but surely, what began as a hobby grew into a career.

Several of my choreographies have gone viral, but my first major success was for Wahala by Bien and Adekunle Gold. Watching people from across the world embrace and perform my moves was magical. That feeling of seeing my work resonate globally is something I will never forget.

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The biggest challenge is the lack of appreciation for dance as a craft. Too often, we work incredibly hard for little pay because the industry doesn’t fully value our contribution. Many people overlook the effort, creativity, and hours that go into choreography. To counter this, my team and I have had to build structures from scratch—systems that help us sustain ourselves and establish professionalism. It has been far from easy, but we are determined, and we keep pushing forward.

That was a dream come true. For the first time, I choreographed a stadium show, working alongside some of East Africa’s biggest musicians. The scale of it was overwhelming, yet exhilarating. The most fulfilling part was connecting dancers and musicians, weaving everything together into a seamless performance. Everyone brought their best, and seeing the choreographies executed flawlessly was a powerful moment. The experience still feels surreal.

Every collaboration holds a special place for me. Each one is unique, with its own story, lessons, and impact. I approach all of them with the same dedication, so it would be unfair to single one out.

Expect bigger and bolder projects from me and The Force Ke. We’re working on collaborations with international artists, and we aim to travel more, sharing Kenya’s vibrant dance culture with the world. Dance is a universal language, and I want to ensure Kenya and East Africa are recognised as global contributors to this art form. So, stay tuned—there are exciting things ahead.

To every young dreamer out there: always put your best foot forward. Believe in yourself, show up with confidence, and never let doubt hold you back. You have everything it takes to achieve greatness. Keep going—you’ve got this.