Starting next year, Wendy Njoroge will play a key role in shaping literary trends in Kenya and East Africa, a development industry players should take note of.
Njoroge, co-founder of Soma Nami Books — a chain of bookshops in Adams Arcade and Ngara, has partnered with Narrative Landscape Press (NLP), one of Nigeria’s top literary publishing houses, to establish Narrative Landscape Press East Africa (NLPEA).
In a press statement, NLPEA announced its commitment to “amplifying authentic African voices and providing a world-class platform for storytelling. With a focus on celebrating the region’s literary wealth, NLPEA will deliver great stories that inspire, challenge, and captivate readers locally and globally.”
“This is a new dawn for storytelling in Africa. Authors and storytellers, we invite you to partner with us on this exciting journey,” said Njoroge.
“Narrative Landscape Press was founded with the vision of telling authentic African stories, and this expansion into East Africa is our way of honouring that legacy,” said Eghosa Imasuen, co-founder of NLP.
“We are excited to collaborate with the region’s talented writers, enriching the literary landscape and creating a home for stories that resonate locally and globally,” added Anwuli Ojogwu, managing director and co-founder of Narrative Landscape Press.
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NLPEA will offer publishing services to organisations and individuals under its publishing imprint, Prima.
Maisha Yetu spoke with Ms Njoroge to learn about the new publishing house’s plans for Kenyan writers and readers.
Q: What are some of the big names that have been published by Narrative Landscape Press in Nigeria?
A: Narrative Landscape Press in Nigeria is known for publishing literary heavyweights such as Chimamanda Ngozi Adichie, whose works like Americanah and Half of a Yellow Sun have become global classics. They have also published Oyinkan Braithwaite, the award-winning author of My Sister, the Serial Killer, and renowned poet Dami Ajayi. These names showcase the press’s commitment to producing high-quality, globally resonant African literature.
Q: Why Kenya/East Africa?
A: Kenya and East Africa represent a vibrant, dynamic literary space with untold stories waiting to be shared with the world. Despite the rich talent, the region’s publishing infrastructure has yet to match its creative potential. Establishing NLPEA offers an opportunity to nurture these stories while creating a more robust publishing ecosystem.
Q: What guarantees do you give writers who sign with NLPEA, especially in terms of marketing their books?
A: Writers who partner with NLPEA will have access to a wide range of marketing and promotional tools tailored to their books. From our robust digital campaigns to our partnerships with bookstores and book festivals, we will ensure maximum visibility of the author’s works. Additionally, we aim to create cross-regional promotional opportunities by leveraging Narrative Landscape Press’s existing reputation in Nigeria. Authors can also expect innovative strategies, such as virtual tours, influencer campaigns, and creative book launches, to connect with readers.
Q: Do you think Kenya has the requisite talent to take on writers in places like Western and Southern Africa?
A: Without a doubt, Kenya is home to a wealth of talent. Writers such as Ngugi wa Thiong’o, Yvonne Adhiambo Owuor, and more have proven that Kenyan storytelling can stand tall on the global stage. What’s been missing is a consistent investment in nurturing and showcasing this talent. NLPEA will focus on developing writers, creating new opportunities for exposure, and placing East African stories firmly on the international literary map.
Q: What do you think hinders Kenyan writers from reaching their full potential?
A: Several challenges exist, including limited access to professional publishing services, weak distribution networks, and the dominance of Western-centric narratives in global publishing. Additionally, piracy and inadequate financial support for creatives remain significant barriers. At NLPEA, we aim to tackle these issues by providing high-quality publishing services, prioritising distribution, and championing East African literature both locally and internationally.
Q: NLPEA’s logo shows a boat perched on what appears to be a dried-out tree branch. What is the philosophy behind this logo?
A: The logo represents resilience and adaptability—qualities essential to the publishing industry and the African literary landscape. The boat symbolizes exploration and storytelling, navigating through uncharted waters, while the dried branch signifies grounding and perseverance in a challenging environment. Together, they embody our commitment to cultivating stories that endure and inspire, no matter the obstacles.
Q: How will NLPEA collaborate with Soma Nami and the African Book Fair, your other subsidiaries? A: NLPEA will collaborate with bookstores, book fairs, and literary festivals across the East African region. As a publisher committed to amplifying the voices of writers, we view advocacy for their work as a cornerstone of our mission. This means ensuring our publications reach as many readers as possible. Leveraging our robust networks, we will focus on expanding the distribution and visibility of our books through retail outlets and dynamic community platforms. We aim to build a vibrant, interconnected literary ecosystem that empowers and celebrates storytelling by spotlighting our authors and fostering connections with readers, industry professionals, and fellow creatives.
Q: What was the process like in obtaining the license for the East African subsidiary from Narrative Landscape Press?
A: Securing the license required extensive discussions and a clear presentation of the vision for NLPEA. My experience in bookselling and my track record of promoting East African literature helped demonstrate my ability to take on this responsibility.
Additionally, the success of Soma Nami Books and its contribution to East Africa’s literary scene provided the proof needed to establish trust with the Narrative Landscape Press team.
Q: With NLPEA, you are now entering the production part of the book chain. How well prepared are you to tackle the perennial problem of piracy?
A: Piracy is a major challenge, but we are prepared to address it through a combination of education, innovation, and partnerships. Educating readers on the value of original works is crucial, as is making legitimate copies more accessible and affordable. Collaborating with local authorities and industry stakeholders will further bolster our efforts.
Q; Last year, Soma Nami had a short story call-out. What became of it, or was that what you used to gauge the depth of Kenyan talent in preparation for the future rollout of NLPEA?
A: The short story call-out was designed to engage emerging writers and assess Kenya’s literary talent. The response was overwhelmingly positive, revealing fresh voices. While the project paused, it highlighted the need for structured writing development. I’m excited to build on this foundation at NLPEA, nurturing and supporting talent more extensively.
Ngunjiri is the curator of Maisha Yetu, a digital Arts and Books media platform.
mbugua5ngunjiri@gmail.com